Fall 2007
BSI Introduction
Brenda Edwards
TexaStone Quarries
The oldest records of civilization and the oldest known works of representational art come to us from stone carvings. The carving of stone is an ancient activity where pieces of rough natural stone are shaped by the controlled removal of stone. Early examples of stone carving were the result of hitting or scratching a softer stone with a harder one or possibly the use of antlers or any object sharp enough to use as an abrasive. Today, pneumatic hammers, saws, drills and other modern technologies are used; however, the "good ole" hammer and chisel will never be replaced.
Carving stone into sculpture is an activity older than civilization itself. Stone is used as inspiration for some artists. Michelangelo claimed that his job was to free the human form trapped inside a block of stone. He certainly illustrated that with his statue of David. Some artists begin with an idea or form in their mind and find a stone to achieve their vision. Others choose the stone first, allowing the material to inspire them. In all cultures of the world, carving or sculpting has adapted and evolved throughout the ages.
In this issue of Building Stone, we are featuring from across the United States just a few of the many talented sculptors who use natural stone. It is obvious the creativity, the visions and the talent that each of these artists show in their works. I personally have had the pleasure of meeting most of the featured sculptors, and I am familiar with their works. I also have taken the journey up the mountain to Jemez Springs, N.M., to attend the carving workshop that is conducted each September. It takes complete dedication to "bang and clang" on stone all day long for weeks at a time.
Of course, whether you have been a longtime member or recently have joined the Building Stone Institute, you know the name Harold Vogel. His contribution in architectural, landscape, lettering and restoration sculpturing is unsurpassed. To show its appreciation for his contributions and dedication to the BSI, Harold was voted an Honorary Member in 2001. He is the only person to ever hold this position.
Throughout most of history, the purpose of creating sculpture has been to produce works of art that are as permanent as possible. The use of stone in carving over the years has provided many beautiful works of art — whether in architectural buildings, landscaping, a statue for a private home or a public monument. I can't imagine the world without sculptures.
Thanks to the talent of dedicated, modern-day stone carvers, the world will be able to marvel at and enjoy stone works for centuries to come.
 BSI Names Executive Vice President
Building Stone Institute (BSI), one of the country's oldest natural stone trade associations, recently announced the appointment of Margie Lechowicz as executive vice president.
As executive vice president, Lechowicz will serve as the BSI liaison promoting the organization's relationships with national, international, state and local organizations, and she will serve as a member of the Natural Stone Council Board of Directors. Lechowicz will oversee the execution of the goals, objectives, and priorities of BSI, and the allocation and distribution of resources toward those outcomes. She will have direct oversight of issues related to the membership, legislative and technical committees while managing the budget and ensuring the financial integrity of the organization.
A native of Pittsburgh, Pa., Lechowicz brings to BSI more than 20 years of professional experience, most recently as the board/executive manager of the American Association of Diabetes Educators. Previously she served as executive director of Financial Institutions Insurance Association. Lechowicz holds a master's in public administration from Ohio State University, and a bachelor's in organizational communications and behavioral psychology from Carnegie Mellon University.
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